Iliad The Musical will be the first production on stage or screen to actually follow the Iliad narrative since the Iliad (which is itself a live show, composed over 2,700 years ago, lasting about 12 hours). But many productions have been made about Trojan War.
One such production is La Caduta Di Troia, or “The Fall of Troy”, a silent film released in 1911.
Though not faithful to Homer’s Iliad, it’s fantastic. They get many things right – things other productions get wrong. For example, they include immortals as characters (thank God!).
Of course, we’re still waiting on Iliad The Musical to provide a faithful production of the war as Homer told it, but until then you can enjoy this excellent film when you have 30 minutes to spare.
The curtains open, revealing the Achaeans in council. Calchas holds the staff that commands the council’s attention. Hitting the staff on the ground on the first of every six beats, Calchas invokes the godess.
In Ancient Greece, a staff was pounded on the ground to mark the start of each verse (that’s why, even today, we draw a “staff” between measures).
According to legend, Homer sang the Iliad in a cobbler’s shop to people getting their shoes fixed. He played a seven-string lyre in the enharmonic genus tuned to the dorian scale.
He sang non-rhyming verses called “heroic verses” or Homeric verses. They’re kind of like dactyllic hexameters, except a few additional rules also apply (for example, the second-to-last foot must be a dactyll and the last foot must be either a spondee or trochee — that way, every verse ends with the same “shave-and-a-haircut” rhythm).
The song grows into a full orchestra of Ancient Greek instruments, but begins with an attempt to recreate exactly how Homer actually sounded in the cobbler’s shop 2,800 years ago.
“Invocation” is composed in the Ancient Greek enharmonic genus, tuned to the ancient hypodorian scale.
“Invocation” is arranged for Ancient Greek instruments:
This is the big opening number (about 8 minutes into the show), during the famous Catalog Of Ships from Book 2 of Homer’s Iliad.
Ten years earlier, the Achaean alliance invaded Troy with 1,000 ships. In this song, the leaders of these ships march to war, announce themselves, and give a shout out to their homelands. Athena leads the chorus in song.
In Ancient Greece, heroes who won their glory were welcomed back home with a song written just for them — played on pipes called auli. The pipers and singers played together as family and friends celebrated the soldier’s homecoming.
“Never Forget” is composed in the Ancient Greek chromatic genus, tuned to the ancient hypophrygian scale.
“Never Forget” is arranged entirely for Ancient Greek instruments:
Iliad The Musical ends here, in Scene 24, when the Trojan king Priam meets Achilles.
Priam, catching Achilles unaware, clasps Achilles’s knees and kisses Achilles’s hands. Achilles and his two comrades are startled, as Priam explains who he is and why he’s done what no human is capable of doing: kissing the hands of the one who killed his sons.
Then this song begins.
After witnessing the rage of Achilles for the entire show, we at last see Achilles soften his anger – when he gives Hector’s body to Priam. Achilles does this after reflecting on his own father and crying with Priam over the suffering caused by the war.
After this song the show ends, but not before Priam takes Hector’s body back to Troy where Hecabe, Andromache, and Helen mourn and bury Hector in a proper ceremony.
“Charge Of God” is composed in the ancient enharmonic genus, tuned to the ancient hypophrygian scale.
“Charge Of God” is arranged entirely for Ancient Greek instruments:
The judgement of Paris led to the Trojan War. It also led to some of the finest works of art ever created.
The story of the Trojan War begins at the wedding of Achilles’s parents, Thetis and Peleus.
All the gods are invited to the wedding except one: Eris, the goddess of discord. But this doesn’t stop her from leaving her mark on the occasion. Instead of attending the wedding, Eris plucks a golden apple from the Garden of Hesperides, writes “To the fairest one” on it, and tosses it inside the wedding ceremony.
Three goddesses – Hera, Athena, and Aphrodite – each claim that the apple is meant for herself. When they ask Zeus to settle the matter, and decide who is the fairest, he suggests that they ask a Trojan shepherd named Paris.
So Hermes leads them to Mount Ida.
Here Paris is confronted with three gods, each wanting the golden apple, each offering Paris something in return for judging her the fairest. Hera offers Paris political power over Europe and Asia. Athena offers Paris neverending victories on the battlefield. Aphrodite offers Paris the most beautiful woman in the world.
The judgement of Paris is to award Aphrodite the apple. This leads to Helen and Paris eloping, Agamemnon launching a thousand ships, Odysseus building the Trojan Horse, and eventually Helen sailing back home to Sparta with her husband Menelaus.
Above is a 1904 painting by Enrique Simonet titled El Juicio De Paris, and below are are some other classic renditions of the world-famous scene.
This 15-minute video gives an awesome overview of who Hermes is, including his identities as Pan and Mercury.
Among other roles, in Book 24 of Iliad Hermes guides King Priam across the Achaean border to Achilles’s hut. This leads to the emotional climax of the epic when Achilles finally softens his anger and agrees to give Hector’s body back to Priam.
The center of the Ancient Greek world is in the town of Delphi. This stone is called the Omphalos, or “navel” of the world. Think of it as Mother Earth’s bellybutton.
A long time ago, Zeus wanted to find the center of the world, so he sent two eagles — one from each end of the earth. When they met at Delphi, Zeus sent down the Omphalos, a stone that his father ate and regurgitated (thinking he was eating his son Zeus) as navel of the world.
Omphalos Syndrome is the belief that the city with the most money and most powerful politicians is in fact the center of the world.
So, where is the center of the world? It used to be by the temple of Apollo at Delphi, where the great oracle Sibyl gave prophesy. Now, it’s just up the road at the new museum.
The aulos is a double-reeded pipe, like an oboe (though it’s sometimes played with a single reed, like a clarinet) made out of bamboo and bone. This 1st century AD mosaic from the “House of the Tragic Poet” in Pompeii shows a piper playing two auli at once, surrounded by actors in goatskin dresses and theatrical masks.
Traditionally, you play two auli at once. This allows you to harmonize with yourself, and anyhow each aulos has only 1/2 of the notes in a scale, so you need two auli to play a complete scale.
While the lyre is associated with Apollo, the aulos is associated with Dionysus.
This 1st century AD fresco from Pompeii shows a singer/actor with his theatrical mask on the top of his head, and a lyre player playing a 9-string lyre.
Homer’s Iliad is traditionally performed by two such people. Indeed, at the time, the Iliad was the most popular show in Ancient Rome. Each line in the Iliad is played to six beats, and sung to notes on the lyre tuned to the enharmonic genus, playing notes in the ancient dorian scale.
So, we know the musical chords Homer composed for the Iliad. We know the drum beats. We know the lyrics. We just don’t know the melody.
The hydraulis is a hand-powered organ. Just like a pipe organ in a modern church, the hydraulis makes sound by blowing air through pipes, and is played by pressing keys on a keyboard. This 2-minute video demonstrates what a Roman replica sounds like.
The word “hydraulis” literally means “water-pipe” because water (“hydra”) is used to deliver steady air pressure to a pipe (“aulos”).
This shows the first and second verses of the First Delphic Hymn to Apollo, carved in marble for the Athenian Pythaides festival in 128 BC in Delphi. The composer’s name is Athenaios Athenaiou (Athenaios, son of Athenaios).
The melody is written above the lyrics, and shows which notes to sing (according to the Greater Perfect System).
The rhythm is inherent in the poetics of the verse. For example, we see cretics (instead of, say, iambs or dactyls) so we know the time signature is 5/8.
This sculpture of Athena was carved out of marble in the 1st century AD/BC in Rome. It was a copy of an earlier Greek sculpture from the 4th century BC.
Of all Athena’s iconography, her helmet might be the most widely recognized, but she has other icons that you can use to identify her. If you look closely you can also see snakes on her tunic, and a big Gorgon on her brooch. These are dead giveaways you’re looking at Athena.
Homer characterizes her as the god of battle strategy and wisdom.
This 16-minute video is an interesting attempt to recreate authentic Ancient Greek music.
They cover some fundamental instruments like the kithara and the aulos. They play a jazzy version of Homer. It finishes with a really cool semi-authentic performance of the actual music Euripides composed for Orestes, which was a musical, not a play.
In his life, Aeschylus wrote musicals, won awards, and pioneered innovations that are now standard in today’s theater. This 15th century illustration shows his death in 456 BC.
Legend has it he died from a turtle dropped on him by an eagle.
Now, that may sound ridiculous, but in fact there are eagles in that region that eat turtles by dropping them on stones from high up to crack their shells. Apparently, the eagle mistook Aeschylus’s bald head for a hard stone.
Pliny adds an ironic twist: Aeschylus was only outside in the first place to avoid a prophecy that he’d be killed by falling object.